Artistic beginnings
David Shimotakahara recalls dancing with his shadow as a young man.
鈥淚 remember that distinctly as, 鈥業 like this,鈥欌�� Shimotakahara said. 鈥淚t felt very natural.鈥�
Decades later, Shimotakahara is an award-winning dancer and choreographer currently in the midst of the 25th season of his contemporary company, GroundWorks DanceTheater.
Shimotakahara鈥檚 parents supported his early artistic inclinations.
鈥淢y father was very attuned to the arts,鈥� he said. 鈥淏ut it was my mother who really encouraged me to try to pursue something creative.鈥�
His first ballet teacher recognized Shimotakahara鈥檚 determination.
鈥淗e sat me down and said, 鈥榊ou鈥檙e the crookedest thing that鈥檚 ever walked into a dance studio, as far as I鈥檓 concerned. But we鈥檙e going to work really, really hard,鈥欌�� Shimotakahara said.
A need to dance
Shimotakahara said dance was a lifeline for him.
鈥淚 had no sense of myself, and it really helped me think of myself in this different way鈥� he said. 鈥淚 was determined that, because I wanted to do this, I would.鈥�
His dance career began in his hometown of Montreal where he studied with Les Grands Ballets Canadiens. It was there where he met his future wife and fellow dancer, Pandora Robertson.
The two carved out a life together as freelance dancers, working in places like Atlanta, Boston and Pittsburgh.
鈥淲e were just so enamored with the idea of becoming professional dancers and being in the dance milieu,鈥� he said.
Ohio Ballet days
The two married in 1981, and two years later they joined the Ohio Ballet in Akron, led by artistic director Heinz Poll, who was a major influence on Shimotakahara.
鈥淗einz ran it in a really sensible way. We didn鈥檛 have a lot of frills,鈥� he said. That kind of lean, economical approach to producing certainly influenced me in trying to figure out how to start a small startup company.鈥�
In 1998, Shimotakahara retired from the Ohio Ballet and founded Groundworks DanceTheater.
Breaking new ground
鈥淚 was eager, itchy to try to do something on my own,鈥� he said. 鈥淢y body was feeling pretty ragged. I had some knee surgeries. I thought, 鈥楾his feels like the right time.鈥欌��
Shimotakahara was able to tap into a Northeast Ohio arts community that knew of his work with the Ohio Ballet. He said he鈥檚 indebted to them, including most of all GroundWorks Founding Board President Marjorie Talalay, the late director and co-founder of the Cleveland Center for Contemporary Art, now moCa.
鈥淭here鈥檚 an attitude, a willingness and ecosystem here in Northeast Ohio, which is extraordinary,鈥� he said. 鈥淚鈥檓 grateful.鈥�
Legacy of collaboration
Shimotakahara鈥檚 company has long championed new works by a wide range of national choreographers. Collaboration is at the heart of GroundWorks鈥� mission as a dance company.
鈥淭o be able to bring people together, to collaborate together and try new things, hopefully to create things that haven鈥檛 been experienced before,鈥� he said. 鈥淚t鈥檚 a gift.鈥�
In March, celebrates its 25th anniversary season with a series of performances with the Theron Brown Trio in Akron and Cleveland.
